S.H.I.E.L.D. vol.2 #3
Written by: Jonathan Hickman
Art by: Dustin Weaver
Alright I gotta level with you guys on this issue: I am totally undecided on whether to drop this or not. It has been a year and a half now with nine issues to its credit and I don't know what the point is. Jonathan Hickman is a man with a ton of ideas and his creativity is what got me to be a fan in the first place. But after this issue, it's clear as day that there is no story here. This entire issue, sans one panel and a final page, there is no dialogue in this. The Celestial Baby, which has been an obscure part of this entire run so far, has grown to Godzilla like proportions and is now wrecking havoc in the hidden city. While I'll get to the incredible art in a minute, the issue overall reeks of laziness. We presumably only have three more issues to go before this entire story ends and Hickman only gives us this massive fight scene. It's frustrating because I still have no idea why I should care about anything in this book. From the pointless main character whose name I don't even remember (even the solict doesn't bother to mention him) to the more bizarre mathematical portion at the end; nothing makes sense. Why did we have to spend an entire issue on this predicament when bigger things are obviously dire right now?
This is a blog dedicated to anything that comes to mind. With a guy like me that could mean a lot of things. But this will mainly focus on TV and Film. This blog will also be dedicated to my 'Oscar Experiment' come September.
Showing posts with label batman and robin. Show all posts
Showing posts with label batman and robin. Show all posts
Wednesday, October 12, 2011
Thursday, September 22, 2011
Comic Reviews for September 21st 2011
Severed #2
Written by: Scott Snyder & Scott Tuft
Art by: Attila Futaki
It's amazing just how far a man's mind can go to tell a story. Scott Snyder certainly has shown his horror chops in a lot of his work. But this time, it feels like he is going to tell us (along with Scott Tuft) a full on horror story instead of telling horror on the side like in Batman or American Vampire. You certainly have a lot going for this book to scare you: Hobos, cannibal murders, and a general sense of doom are throughout this comic book. If you're like me and you got excited with the word 'hobos' in that last sentence, then this is a comic for you.
Written by: Scott Snyder & Scott Tuft
Art by: Attila Futaki
It's amazing just how far a man's mind can go to tell a story. Scott Snyder certainly has shown his horror chops in a lot of his work. But this time, it feels like he is going to tell us (along with Scott Tuft) a full on horror story instead of telling horror on the side like in Batman or American Vampire. You certainly have a lot going for this book to scare you: Hobos, cannibal murders, and a general sense of doom are throughout this comic book. If you're like me and you got excited with the word 'hobos' in that last sentence, then this is a comic for you.
Wednesday, September 14, 2011
Comic Reviews for September 14th 2011
Green Lantern #1
Writer: Geoff Johns
Artist: Doug Mahnke
Sometimes you can't go home again.
I remember getting back into comics around 2008, not even remembering who or what a Green Lantern was. Now with Geoff Johns, a slew of artists (mostly Doug Mahnke for me), and a big screen adaptation that seems like a big joke now. But what made me interested in the character, or now universe spanning characters, is how much of a great space opera it was. Johns had so many great ideas and storylines for this entire universe that it was compelling to pick up each issue. But then, around the time of Blackest Night, the sparkle turned into a dimmer which then turned into complete blackness. (See what I did there?) I just couldn't find myself caring about Johns was creating because it felt more like he cared about his 'bigger picture' then actually telling a good story. So with the reboot coming and this new predicament of being a Green Lantern once more I was excited to see what was their to offer.
Writer: Geoff Johns
Artist: Doug Mahnke
Sometimes you can't go home again.
I remember getting back into comics around 2008, not even remembering who or what a Green Lantern was. Now with Geoff Johns, a slew of artists (mostly Doug Mahnke for me), and a big screen adaptation that seems like a big joke now. But what made me interested in the character, or now universe spanning characters, is how much of a great space opera it was. Johns had so many great ideas and storylines for this entire universe that it was compelling to pick up each issue. But then, around the time of Blackest Night, the sparkle turned into a dimmer which then turned into complete blackness. (See what I did there?) I just couldn't find myself caring about Johns was creating because it felt more like he cared about his 'bigger picture' then actually telling a good story. So with the reboot coming and this new predicament of being a Green Lantern once more I was excited to see what was their to offer.
Wednesday, August 10, 2011
Comic Reviews for August 10th 2011
Deadpool #41
Written by: Daniel Way
Art by: Carlos Barberi
You know your interest in a comic is waning if the only thing you really enjoyed was the cover. Make no mistake, Dave Johnson has been doing some great covers for this title. It's a shame that Deadpool has such an unnatural hatred because it makes people miss out on some brilliant work by Johnson. (Who I think keeps getting screwed out of Eisners for 'Best Covers') I think what makes this stand out is the use of bright blue for the background. It makes the surreal image of Deadpool riding his brain all the more interesting to look at. But again, outside of the cover, I found very little to care about this issue.
Written by: Daniel Way
Art by: Carlos Barberi
You know your interest in a comic is waning if the only thing you really enjoyed was the cover. Make no mistake, Dave Johnson has been doing some great covers for this title. It's a shame that Deadpool has such an unnatural hatred because it makes people miss out on some brilliant work by Johnson. (Who I think keeps getting screwed out of Eisners for 'Best Covers') I think what makes this stand out is the use of bright blue for the background. It makes the surreal image of Deadpool riding his brain all the more interesting to look at. But again, outside of the cover, I found very little to care about this issue.
Subscribe to:
Posts (Atom)